Module Details
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module.
Title Composing Electronic Music
Code MUSI308
Coordinator Dr OS Carman
Music
Oliver.Carman@liverpool.ac.uk
Year CATS Level Semester CATS Value
Session 2023-24 Level 6 FHEQ First Semester 15

Aims

To develop the students skills in advanced audio editing and sound design for fixed media.
To enable students to use third party software alongside a DAW.
To introduce the students to non-linear sound organisation.
To develop the students’ knowledge of synthesis techniques.

Learning Outcomes

(LO1) Demonstrate understanding of modular synthesis techniques and acousmatic composition techniques.

(LO2) An ability to demonstrate an understanding of linear and non-linear approaches to sound generation and organisation.

(LO3) An ability to use VCV Rack.

(LO4) An ability to use some advanced synthesis techniques.

(LO5) An ability to successfully compose using a fixed media approach.

(S1) Working independently.

(S2) Organisational skills.

(S3) Communication (oral, written and visual) - Following instructions/protocols/procedures.

Syllabus
 

What is Acousmatic Music?
Standalone sound design and audio processing applications.

Sound transformation and sound organisation tools and techniques.
Theoretical topics surrounding experimental electronic music.
Granular synthesis techniques
What is modular synthesis?
Modular synthesis techniques
Generative music

Teaching and Learning Strategies

Teaching Method 1 - Lecture
Description: (90mins x12) Lectures are held in the computer labs in the department of Music. The lectures provide instruction and hands-on practice in:
sound transformation and organisation in a DAW and third-party software, and use of modular synthesis software such as Racks
Granular synthesis options in Max, Ableton and Logic
Students will be introduced to examples of acousmatic music, experimental electronic music modular synthesis.
Attendance recorded: Yes
Notes: The lectures focus on practical techniques needed for working with modular synthesis, and for composing acousmatic music. There will be hands-on practice as well as discussion of existing works and related aesthetic ideas.

Self-directed learning: As well as reading around topics of acousmatic music and modular synthesis, students will be encouraged to go out and capture sound for their projects. They will also need to practice sound transformation, synthesis and patch editing techniques to develop their skills. The majority of time spent editing and composing will be done outside the normal lecture and workshop hours.

The majority of teaching will be delivered face to face on campus. Online delivery will be used to complement the on campus delivery and where technology affords a better learning experience.

Teaching Schedule
  Lectures Seminars Tutorials Lab Practicals Fieldwork Placement Other TOTAL
Study Hours 18

   .5

       18.5
Timetable (if known)              
Private Study 131.5
TOTAL HOURS 150

Assessment
EXAM Duration Timing
(Semester)		 % of
final
mark		 Resit/resubmission
opportunity		 Penalty for late
submission		 Notes
             
CONTINUOUS Duration Timing
(Semester)		 % of
final
mark		 Resit/resubmission
opportunity		 Penalty for late
submission		 Notes
Assessment 1 Electronic Music Composition Description: The student will compose a 5 minute work that makes use of the composition techniques explored in class. There is a resit opportunity. Standa  0    50       
Assessment 2 - Short composition Description: Students are asked compose a piece using modular synthesis techniques. There is a resit opportunity. Standard UoL penalty  0    50       

Recommended Texts
Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module.