Module Details

The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module.
Title EXPLORING HARMONY, CHORD PROGRESSION AND PITCH
Code MUSI281
Coordinator Professor KM Forkert-Smith
Music
Kenneth.Smith@liverpool.ac.uk
Year CATS Level Semester CATS Value
Session 2022-23 Level 5 FHEQ First Semester 15

Aims

To explore the different approaches to harmony, chord progression and pitch from a range of musical genres.

To adopt, adapt and develop techniques of analysing how this music ''works',' and to evaluate these methods through application to different repertoires.

To examine theoretical questions opened up by the evolution of harmony, tonality, and form since the common-practice era.


Learning Outcomes

(LO1) Understand the theory and practice of harmonic language appropriate to different musical styles.

(LO2) Test, develop and apply music theory appropriate to the 'object' under scrutiny

(LO3) Appreciate principles of musical evolution, including factors which drive change in harmony, and tonality.

(S1) Adaptability.

(S2) Problem solving skills.

(S3) Organisational skills.

(S4) Communication skills.
Assessed through presentation on chosen topics.


Syllabus

 

The course focuses on different theories of harmony and chord progression, synthesizing different aspects of music theory. Typical topic areas include:

Extended Harmony in the nineteenth century and jazz.
Chord function and substitution: Examples from Schubert, Kate Bush and Elliot Smith.
Chord progressions in ‘thirds’: Examples from Hollywood films and Schubert songs.
Chromatic chords: progressions with examples from Wagner and Hitchcock films.
Voice-leading techniques in the Beatles and the classical period.
Pitch-structures in the early twentieth-century and prog rock.

Students learn cutting-edge theories of harmony from a range of pieces.

Weekly seminars will explore the works more informally, after lectures have presented the main issues and established the parameters for our explorations.


Teaching and Learning Strategies

Teaching Method 1 - Lecture
Description: Lectures take place on a weekly basis and cover the course content; explaining techniques of analysis, and introducing students to the repertoire.
Attendance Recorded: Yes
Notes: These will be stream-captured, and available through VITAL

Teaching Method 2 - Seminar
Description: These will try-out and test analytical techniques on the works under study. There will be student led discussion on the fortnightly readings.
Attendance Recorded: Yes

Self-directed learning: Time spent analysing scores and recordings, applying techniques of analysis, reading in preparation for seminars and assessment.


Teaching Schedule

  Lectures Seminars Tutorials Lab Practicals Fieldwork Placement Other TOTAL
Study Hours 24

12

      22

22

80
Timetable (if known)              
Private Study 70
TOTAL HOURS 150

Assessment

EXAM Duration Timing
(Semester)
% of
final
mark
Resit/resubmission
opportunity
Penalty for late
submission
Notes
             
CONTINUOUS Duration Timing
(Semester)
% of
final
mark
Resit/resubmission
opportunity
Penalty for late
submission
Notes
Essay There is a resit opportunity. Standard UoL penalty applies for late submission. This is an anonymous assessment. Reassessment opportunity: Yes.    60       
Presentation There is a resit opportunity. Standard UoL penalty applies for late submission. This is not an anonymous assessment. Reassessment opportunity: Yes.    40       

Recommended Texts

Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module.