Modern Languages and Cultures |
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module. |
Title | Critical Approaches to Screen Studies | ||
Code | FILM204 | ||
Coordinator |
Dr MG Flood Languages, Cultures and Film Maria.Flood@liverpool.ac.uk |
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Year | CATS Level | Semester | CATS Value |
Session 2023-24 | Level 5 FHEQ | Second Semester | 15 |
Pre-requisites before taking this module (other modules and/or general educational/academic requirements): |
FILM101 INTRODUCTION TO FILM LANGUAGE; FILM102 APPROACHES TO FILM |
Modules for which this module is a pre-requisite: |
Co-requisite modules: |
Teaching Schedule |
Lectures | Seminars | Tutorials | Lab Practicals | Fieldwork Placement | Other | TOTAL | |
Study Hours |
11 |
11 |
33 |
55 | |||
Timetable (if known) | |||||||
Private Study | 95 | ||||||
TOTAL HOURS | 150 |
Assessment |
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EXAM | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
CONTINUOUS | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
There is a resit opportunity This will be marked anonymously Standard UoL penalties will apply. | 0 | 25 | ||||
There is a resit opportunity This will be marked anonymously Standard UoL penalties will apply. | 0 | 75 |
Aims |
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Strengthen and expand students’ critical approaches to different forms of screen media; Deepen students’ knowledge of the current and historical theories surrounding these screen productions; To unpick and interrogate the power structures and related conceptual frameworks that have been deployed in the analysis of these productions; Introduce students to a range of different theoretical and filmic sources that inform and broaden our understanding and application of these theoretical concepts; Enable students to understand diversity in screen media in terms of social, economic geographical and linguistic and other contexts |
Learning Outcomes |
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(LO1) Synthesise and critically evaluate complex theoretical ideas |
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(LO2) Analyse different forms of media using the theories studied |
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(LO3) Recognise and critically evaluate the ways in which screen media can perpetuate and/or deconstruct established power structures. |
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(LO4) Read and evaluate theoretical texts and apply them to screen media |
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(LO5) Present a coherent argument in written prose, following scholarly conventions of referencing and bibliography. |
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(S1) Information skills – critical reading |
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(S2) Communication - written |
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(S3) Time management |
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(S4) Critical thinking |
Teaching and Learning Strategies |
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The majority of teaching will be delivered face-to-face on campus. Online delivery will be used to complement the on-campus delivery and where technology affords a better learning experience. Lecture: every week there will be a lecture on each topic/film which will include an introduction to the topic, key terms, background to the film, and detailed analysis of the film. Seminar: Students will be expected to prepare material (reading, viewing) set by tutors and this will form the basis for class discussions. Film screenings: the films studied on this module will be screened each week. |
Syllabus |
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Topics may include: Understanding power and the canon; Gender; Race; The transnational/transcultural/global. |
Recommended Texts |
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Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module. |