Module Details

The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module.
Title FIRST FICTIONS: FROM ROMANCE TO THE NOVEL
Code ENGL734
Coordinator Dr GJ Lynall
English
G.J.Lynall@liverpool.ac.uk
Year CATS Level Semester CATS Value
Session 2018-19 Level 7 FHEQ Second Semester 15

Aims

This module aims to:
  1. Help students develop an informed and sophisticated understanding of a selection of Renaissance and 18th-century works of fiction. It allows for the detailed study of prose romances and tales from the sixteenth  and seventeenth centuries, and als o of the version of ‘Romance’ most popular in the late eighteenth century: the ‘Gothic novel’, with which the period was especially fascinated.
  2. Enhance students'' understanding of the history of prose fiction and the emergence of the ‘novel’ as a literary form, and the module will examine works by a number of writers from George Gascoigne and Thomas Nashe to Samuel  Richardson and Ann Radcliffe.
  3. Address how prose narrative across both periods relates to issues of gender, identity, and the ‘self’ as well as the stuff of sensationalism, and it asks why, for  example, ‘Romance’ and later the novel have traditionally been considered  ‘feminine’ – and not always reputable – forms.
  4. Develop critical readings of a selection of Renaissance and 18th-century fictions in relevant literary, cultural, historical and critical contexts .
  5. Advance students'' critical  understanding of literary history, and also of some related aspects of cultural and social history, over the course of both the Renaissance and eighteenth-century periods.
  6. Develop students'' critical awareness of the problems and i nsights raised by an interdisciplinary approach to the study of literature in the contexts both of the Renaissance and of the eighteenth century.

Learning Outcomes

By completion of the module, students should be able:

 

To demonstrate a critical understanding of a range of Renaissance and eighteenth-century literary works of fiction, romance, and the early novel by key authors of both periods.

To demonstrate an understanding of some early modern ideas and debates concerning fiction, romance and the novel, as well as some of the contexts for these issues.
To demonstrate an informed critical engagement with some of the relevant literary, cultural and historical contexts of the works examined.
To put into practice advanced skills in textual analysis, critical reading, and writing.
To research, read, and think both independently and sensitively about the works studied at a more specialised level.
To evaluate and communicate effectively both their own and others’ ideas.

To demonstrate an enhanced ability to read and engage critically with literary and, where relevant, historical and cultural sources for both the Renaissance and eighteenth-century periods.

To demonstrate an enhanced understanding of literary history and of some related aspects of cultural and social history over the course of the Renaissance and eighteenth-century periods.
To demonstrate an ability to evaluate critically advanced scholarship and research of the Renaissance and eighteenth-century periods.

Syllabus

Primary texts for this module may include: Edmund Spenser’s The Faerie Queene (Book VI only); Thomas Nashe’s The Unfortunate Traveller; Sir Philip Sidney’s (Old) Arcadia; John Bunyan’s The Pilgrim’s Progress; Daniel Defoe’s Robinson Crusoe; Henry Fielding’s Tom Jones; Oliver Goldsmith’s The Vicar of Wakefield; Laurence Sterne’s The Life and Opinions of Tristram Shandy (Books 1-4 only); and Matthew Lewis’s The Monk. Selections from other texts and sources may also be provided. Most texts are available in Penguin/World’s Classics editions. For early fictions, especially useful is An Anthology of Elizabethan Prose Fiction, ed. Paul Salzman (Oxford UP/World’s Classics, 2009): this has Nashe’s The Unfortunate Traveller, alongside other key Elizabethan prose fictions and romances Most texts are available in Penguin/World’s Classics editio ns. Especially useful is An Anthology of Elizabethan Prose Fiction, ed. Paul Salzman (OxfordUP/World’s Classics, 2009): this contains both Gascoigne’s The Adventures of Master F.J. and Nashe’s The Unfortunate Traveller. Resources such as Literature Online and EEBO will also be available.


Teaching and Learning Strategies

Seminar - Group discussion of texts

6 x 2 hours


Teaching Schedule

  Lectures Seminars Tutorials Lab Practicals Fieldwork Placement Other TOTAL
Study Hours   12
Group discussion of texts
        12
Timetable (if known)   6 x 2 hours
 
         
Private Study 138
TOTAL HOURS 150

Assessment

EXAM Duration Timing
(Semester)
% of
final
mark
Resit/resubmission
opportunity
Penalty for late
submission
Notes
             
CONTINUOUS Duration Timing
(Semester)
% of
final
mark
Resit/resubmission
opportunity
Penalty for late
submission
Notes
Coursework  5000 words  Week 13 or 14 (negotiated with  100  Yes  Standard UoL penalty applies  Assessment 1 Notes (applying to all assessments) One 5000 word essay (100%) or two 2500 word essays (50% each) on approved topic(s). 

Recommended Texts

Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module.
Explanation of Reading List: