Module Details |
The information contained in this module specification was correct at the time of publication but may be subject to change, either during the session because of unforeseen circumstances, or following review of the module at the end of the session. Queries about the module should be directed to the member of staff with responsibility for the module. |
Title | Gothic Fiction and Film | ||
Code | ENGL325 | ||
Coordinator |
Dr SJ Marsden English S.J.Marsden@liverpool.ac.uk |
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Year | CATS Level | Semester | CATS Value |
Session 2020-21 | Level 6 FHEQ | Second Semester | 30 |
Aims |
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To enable students to develop a broader understanding of the historical development of the Gothic genre and its relationships to other literary and cinematic genres. To facilitate research skills in relation both to primary material and key theoretical and critical debates. To broaden and deepen students' understanding of relationships between literature, film and other visual and technological media. To interrogate definitions of Gothic and to evaluate both the distinctive characteristics and conventions of the genre and the stability of boundaries between Gothic and other literary and cinematic genres. |
Learning Outcomes |
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(LO1) Develop a historical perspective on the emergence and development of the Gothic genre from the 18th century to the present, identifying key literary and cinematic works and their relationship to other cultural and/or artistic movements. |
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(LO2) Develop skills of critical analysis of both literary and cinematic works and of theoretical approaches to the text/film relationship. |
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(LO3) Understand and evaluate key critical debates about and theoretical approaches (psychoanalysis, feminism, deconstruction, etc.) to Gothic fiction and film. |
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(LO4) Relate generic tropes and conventions to wider cultural considerations (artistic, political, religious, technological, etc.) and vice versa. |
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(LO5) Develop skills of critical writing, incorporating both conceptual argument and detailed close analysis of literary texts and films. Develop an appropriate technical and/or theoretical vocabulary for critical analysis of literature and film. |
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(S1) Communication (oral, written and visual) - Presentation skills - written |
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(S2) Communication (oral, written and visual) - Influencing skills – argumentation |
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(S3) Communication (oral, written and visual) - Academic writing (inc. referencing skills) |
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(S4) Critical thinking and problem solving - Critical analysis |
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(S5) Critical thinking and problem solving - Evaluation |
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(S6) Information skills - Critical reading |
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(S7) Information skills - Evaluation |
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(S8) Personal attributes and qualities - Initiative |
Syllabus |
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Topics covered typically include: Gothic beginnings (18th century and Romantic Gothic). Developments in nineteenth-century Gothic (e.g. urban and imperial Gothic). Cultural and historical relationships between Gothic literature and film. Psychoanalytic approaches to horror. Visual technologies and multimedia Gothic. Haunting and spectrality. Postmodern Gothic. |
Teaching and Learning Strategies |
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Teaching Method 1 - Tutorial: 1-hour face-to-face per week with small group (up to 9 students) Teaching Method 2 - Workshop: 2 x 1-hour remote online workshop per week with whole cohort |
Teaching Schedule |
Lectures | Seminars | Tutorials | Lab Practicals | Fieldwork Placement | Other | TOTAL | |
Study Hours |
11 |
22 |
33 | ||||
Timetable (if known) |
60 mins X 1 totaling 11
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60 mins X 2 totaling 22
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Private Study | 267 | ||||||
TOTAL HOURS | 300 |
Assessment |
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EXAM | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
CONTINUOUS | Duration | Timing (Semester) |
% of final mark |
Resit/resubmission opportunity |
Penalty for late submission |
Notes |
Scene Study | 1000-1500 words | 0 | ||||
Critical Essay. Resit: Yes Anonymous: Yes | 2500-3000 words | 40 | ||||
Gothic Technologies Project. Resit: Yes. Anonymous: Yes. | 4000-4500 words | 60 |
Recommended Texts |
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Reading lists are managed at readinglists.liverpool.ac.uk. Click here to access the reading lists for this module. |